Rock,
DG + DG

"Sometimes Claire and I would come down the hill with the car lights turned off in complete blackness. Or we would climb from our bedroom window onto the skirt of the roof and lie flat on our backs on the large table-rock, still warm from the day, and talk and sing into the night. We counted out the seconds between meteor showers slipping horizontal across the heavens. When thunder shook the house and horse stalls, I’d see Claire in her bed, during the brief moments of lightning, sitting upright like a nervous hound, hardly breathing, crossing herself. There were days when she disappeared on her horse and I disappeared into a book. But we were still sharing everything then. The Nicasio bar, the Druid Hall, the Sebastiani movie theatre in Sonoma, whose screen was like the surface of the Petaluma reservoir, altering with every shift of light, the hundred or more redwings that always sat on the telephone wires and chirruped out loud before a storm. There was a purple flower in February called shooting star. There were the sticks of willow that Coop cut down and strapped onto my broken wrist before he drove me to the hospital. I was fourteen then. He was eighteen. Everything is biographical, Lucian Freud says. What we make, why it is made, how we draw a dog, who it is we are drawn to, why we cannot forget. Everything is collage, even genetics. There is the hidden presence of others in us, even those we have known briefly. We contain them for the rest of our lives, at every border that we cross."
- "Divisadero," Michael Ondaatje


Ladies and gentlemen, ghosts and children of the state,I am here because I could never get the hang of Time.This hour, for example, would be like all the otherswere it not for the rain falling through the roof.I'd better not be too explicit. My night is carelesswith itself, troublesome as a woman wearing no brain winter. I believe everything is a metaphor for sex.Lovemaking mimics the act of departure, moonlightdrips from the leaves. You can spend your whole lifedoing no more than preparing for life and thinking."Is this all there is?" Thus, I am here where poets cometo drink a dark strong poison with tiny shards of ice,something to loosen my primate tongue and its syllablesof debris. I know all words come from preexisting wordsand divide until our pronouncements develop selves.The small dog barking at the darkness has something to sayabout the way we live. I'd rather have what my daddy calls"skrimp." He says "discrete" and means the streetjust out of sight. Not what you see, but what you perceive:that's poetry. Not the noise, but its rhythm; an arrangementof derangements; I'll eat you to live: that's poetry.I wish I glowed like a brown-skinned pregnant woman.I wish I could weep the way my teacher did as he read usMolly Bloom's soliloquy of yes. When I kiss my wife,sometimes I taste her caution. But let's not talk about that.Maybe Art's only purpose is to preserve the Self.Sometimes I play a game in which my primitive craft firesupon an alien ship whose intention is the destructionof the earth. Other times I fall in love with a wordlike somberness. Or moonlight juicing naked branches.
All species have a notion of emptiness, and yetthe flowers don't quit opening. I am carrying the whimperyou can hear when the mouth is collapsed, the wisdomof monkeys. Ask a glass of water why it pitiesthe rain. Ask the lunatic yard dog why it tolerates the leash.Brothers and sisters, when you spend your nightsout on a limb, there's a chance you'll fall in your sleep.
-Terrance Hayes
(Thanks, Michelle)